custom experiences
Public moments that feel personal
INTERACTOR designs custom immersive experiences for public space and live environments, projection, spatial sound and real-time interaction that invites people into the work.
Every project is built to land on three layers at once:
INTIMATE UP CLOSE
CINEMATIC AT SCALE
AND POWERFUL DOCUMENTTION PEOPLE WANT TO SHARE
Night-time public artworks that create atmosphere, dwell, and a little collective magic.
world science festival + queensland museum + NOW OR NEVER FESTIVAL (MELBOURNE) 2022-23
ECHO
with interactive generative visuals that evolve all night (fresh content, repeat visits)
festival + night-time economy
Permanent or pop-up experiences that make public space feel intimate and safe to play in
Low-friction participation (no training, just instinct and shared creative expression)
FLOW
BRISBANE FESTIVAL 2025 & ISEA INTERNATIONAL
precincts + public space
Story-led spectacle that turns place into memory and memory into sharing
luminous lusail LIGHT FESTIVAL 2024
A giant interactive LED floor concept, a destination story you can step inside
tourism + destination story
QATAR
High impact projection mapping designed for public engagement, flow and atmosphere
xmas
world science festival 2022
landmark + projection mapping
geelong victoria
Fan parks, pop-ups and portals - Playful systems for precincts and major events
a mixed reality wellness experience
spartX
SpartX is our modular play ecosystem, pods and pop-up playfields that fuse physical movement with real-time visuals. Designed for fan parks and precinct activations: fast onboarding, high throughput, and big “I want a turn” energy. Because it’s generative and responsive, the content is always changing, each session creates a fresh, shareable moment.
sport + fan engagement
Interactive activations built for performance: participation rates, dwell time, content capture and sharing, with optional analytics layers to evidence impact.
interactive immersive retail portals
brands + live events
LIGHT & SHADE - Immersive Hero movie for Brisbane advertising and Design Awards event
GLASSACT - A retail portal project in development for major fashion label
FLIGHT CENTRE - Interactive portal for travel marketing & data
WORLD SCIENCE FESTIVAL - 2023 Brand design - flyers, posters TV promo
Play-based learning where creativity becomes confidence
Electric Mirror - National Queensland Highschool program with Motion capture + avatar play: embodiment as storytelling
Kids become the artists; the room becomes the canvas.
pixel - 8 - the albany theatre , london
education + playlabs
Live visuals that feel alive, responsive worlds that breathe with the music and performance movement
concerts + stage worlds
NINA JIRACHI & KOTA BANKS
Interactive sound responsive set for live music video generation@ The Powerhouse/Sydney
Planning an interactive experience
What makes an experience participatory?
The audience has a meaningful action that changes the work. Depending on the project, this may involve movement, touch, a portrait or a personal story. Define that action alongside the artistic idea, rather than adding an interaction at the end.
Can projection mapping also be interactive?
Yes. Projection mapping places moving imagery onto a surface; an interactive system can change that imagery in response to people. The appropriate approach depends on the site, desired participation and available technical conditions.
Can a project work outdoors?
Outdoor projects need a site-specific assessment of ambient light, weather exposure, projection positions, power, sound, equipment protection, access and audience flow. Share photographs, plans, operating hours and dates so these conditions can be discussed.
How do we plan for access and inclusion?
Describe who should be able to participate, how they approach the work and what sensory or physical barriers may arise. Discuss viewing alternatives, interaction height, movement space, sound and on-site support early in the brief. The solution must be developed for the actual site and audience.
How much time and budget should we allow?
There is no single budget or lead time for every installation. Creative development, permissions, equipment, testing, site access and operating duration shape the scope. Share fixed dates and an available budget band at the first conversation; feasibility and scheduling can then be assessed.
Can we adapt an existing work?
An existing artwork may provide a starting point, subject to artistic fit, technical feasibility and permissions. Identify the work that interests you and explain how your site and audience differ. Adaptation should be assessed before a design or delivery date is promised.